Joseph Q. Daily ~ www.jqdaily.com

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August 14th, 2010 · Vestal, NY
Workshop – The Portrait in Sepia

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'Portrait of my Sister'

Edit: This workshop has been moved from August 21st to Saturday, August 14th.

Participants will learn to create monochromatic “sepia” oil portraits using just Raw Umber paint.

Sepia paintings can serve as finished works of art or be used as underpaintings – when painting from life, I start almost all of my color portraits this way. I’ve also found this technique to be an incredibly enjoyable way to learn to paint in oils, since it bridges the gap between drawing and painting and allows for endless, painless correction of your work.

During this workshop I will be painting all day, explaining every step from start to finish as I work. Attendees are welcome to paint along and receive guidance & critiques, or just watch as I demonstrate. Adults and teens of all levels of experience are welcome. Please see the supplies list below if you would like to paint.

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July 17th, 2010 · Vestal, NY
Workshop – The Portrait Sketch

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Self Portrait · Feb 2010

On Saturday, July 17th I will be offering a one-day portrait painting workshop through The Art School in Vestal, NY. Attendees will learn my process for completing a full-color oil portrait sketch from a live model.

My focus will be on demonstrating how I approach creating paintings that I intend to start and finish on the same day. Although we will be painting a portrait, the techniques and principles offered can also be applied to any type of oil sketch – landscape, still-life, etc.

During this workshop I will be painting all day, explaining every step from start to finish as I work. Attendees are welcome to paint along and receive guidance & critiques, or just watch as I demonstrate. Adults and teens of all levels of experience are welcome. Please see the supplies list below if you would like to paint.

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Summer Class Schedule

June 3rd, 2010  Add comment

Dates have been confirmed for my Summer classes with The Art School! To register, please call (607) 797-2517 or email info@theartschoolonline.com

Weekly Class – Portrait Painting in Oils

Wednesday evenings, 6–9pm
July 7th–August 25th · Vestal, NY
$225

By alternating demonstration and instruction, I will guide students through every step of my painting process: sepia underpainting – color block in – rendering – finishing touches. By the end of the class, students will have watched me craft a fully-realized portrait painting and also completed one themselves.

More info »

Workshop – The Portrait Sketch

Saturday, July 17th, 2010 · 9:30am–4:30pm · Vestal, NY
$50

Attendees will learn my process for completing a full-color oil portrait sketch from a live model.

More info »

Workshop – The Portrait in Sepia

Saturday, August 21st, 2010 · 9:30am–4:30pm · Vestal, NY
$50

Attendees will learn to create monochromatic “sepia” oil portraits using just Raw Umber paint.

More info »

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Adventures in Construction 3: On Solid Ground

May 23rd, 2010  4 Comments

Happy at work

It’s hard to believe it’s been a full month since my last construction post … the days are just packed with work and experiencing, and I’ve been juggling all sorts of endeavors – from webwork, to house building, to some portrait painting, to my first ever workshop … I even had a birthday along the way :)

For the building site, this was an especially big week, with two concrete pours on Monday and Tuesday – one for the main crawl space floor, and one for the garage floor. Thankfully, with all of the backfilling done, the concrete trucks could maneuver much more easily, which meant that we could happily leave our wheelbarrows at home. This finally marks this the end of our concrete work, which not only means that we are done mucking around in the mud, but also that we are moving on to working with wood (John’s natural element).

Some persistent rains kept the main floor surface wet for quite awhile, so on Wednesday John ran around buying materials and prepping things. Then we spent Thursday welding, grinding, and painting support posts for our floor joists, and on Friday we installed all of our beams and joists in a long, hot, but fast day’s work. Now we are ready to install plywood for the main floor on Monday, with walls to follow shortly!

Interestingly, we were at just this step around this time last year, building a similar structure for a friend/client in the Adirondacks … we actually laid 28 sheets of plywood on my 28th birthday! The footprint for Renée’s house is larger, though, so it will take us quite a few more than 29 sheets this year….

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Reflections on my Sepia Portrait Workshop

May 11th, 2010  1 Comment

Sepia Workshop

I’m happy to report that Saturday’s sepia workshop at The Art School went very well! We had six people painting (including me), which was a nice number … large enough to fill the room with energy, but small enough to still feel intimate. Kathryn was definitely the hero of the day for posing so patiently for us … although we all agreed that her nose was the villain! But considering that none of the attendees had worked transparently in sepia before, and many hadn’t worked in oils in years – if ever – everyone’s painting came out fantastic.

As for me, I was well on my way to a nice little portrait of Kathryn, but I ran out of time before I could really make it sing. I did get far enough to give a solid demonstration of my working methods and thought process, but it would have been nice to be able to talk more about finishing touches … next time I’ll try to move onto rendering the model’s features a bit more quickly, even if I don’t have them in quite in the right place yet.

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Behind the painting: ‘A Forest Path’

April 26th, 2010  5 Comments

A Forest Path

This painting is actually a view of Kathryn’s and my old driveway in Upper Black Eddy (Bucks County, Pennsylvania) … although at more than a quarter mile long, it certainly was a forest path! This represents one of my first attempts at beginning an outdoor painting in sepia, and it remains a good example of how I approach much of my plein air work.

Day 1

At 16” x 12” this painting was small enough to potentially be completed in one day, but I was nervous about getting bogged down trying to place my shapes and work out the subtleties of all that green at the same time. So I decided to break up the painting into several days of work and begin with a sepia underpainting:

Underpainting for 'A Forest PAth'

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Adventures in Construction 2

April 20th, 2010  Add comment

Along the Wall

Week 2 of my mother’s house building involved more concrete work. We rented our forms from a very nice Indian man who had purchased them from a contractor John used to know. I started off the week in the “kitchen”, oiling forms and handing them off to John while he assembled them. Some of the pieces had quite an “antique” finish (to be kind), which meant that they just drank up the oil … these were absolutely some of the greasiest days of my life! On Wednesday John and I worked together, and through some very creative math on his part, we were able to use every last piece that the man owned! We also managed to avoid having to plug in any gaps with plywood. We weren’t ready for our hoped-for Wednesday pour, but we rescheduled for Thursday and everything fit together just fine.

The pour itself was slightly less physically demanding than last week … but no less hectic. John noticed only minutes before the trucks arrived that there was a 2′ discrepancy between his plans and the engineer’s, so he spent the rest of the afternoon worrying that we were building the house two feet too small! (The error turned out to be the engineer’s, and the house is NOT too small). The concrete in the first truck was also a bit wetter than John would have liked, resulting in quite a bit of pressure on our forms. Thankfully we escaped with just a few bulges here and there and no blowouts. And since the trucks could maneuver around better this week, no wheelbarrows were needed – just a few bucketloads here and there to top things off.

On Friday we peeled off the forms in a joyful and effortless two hours’ work, just as cooler weather and a nice rain set in to help the concrete cure. The concrete settled in very well without any voids, and the whole structure looks and feels great. Now after a good cleanup we’ll be able to put the sills in, which is an exciting step. Stay tuned!

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Adventures in Construction

April 11th, 2010  3 Comments

Pulling Rebar

Ironically, now that my new site is live there is very little painting news to report! My big plans for the Spring and Summer are to help my friend John build a house for my mother, and we hit the ground running this week. After having been shut out for months by an early, cold Winter, we were finally able to pour the concrete footers on Wednesday. It turned out to be a marathon effort in unseasonably hot weather … the trucks could only pull up to one spot, so there was a whole lot of wheelbarrowing to do.

In the end, we were just short of having enough concrete, but the next day John was able to fill up several trash cans full from the concrete place, and we patched up the remaining bits without trouble. Now our forms for the walls are all stacked up and ready to be assembled on Monday … if all goes well we’ll do another pour on Wednesday, and that will be that.

With the footers in, the whole building site feels much more substantial. John can’t wait to get to the woodwork, my mom can’t wait to move in, and I’m just happy to be a part of it all!

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May 8th, 2010 · Vestal, NY
Sepia Portrait Workshop

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Crowned with Flowers

On May 8th I will be offering a one-day portrait workshop through The Art School in Vestal, NY. Attendees will learn to create monochromatic “sepia” oil portraits using just Raw Umber paint.

Sepia paintings can serve as finished works of art or be used as underpaintings – when painting from life, I start almost all of my color portraits this way. I’ve also found this technique to be an incredibly enjoyable way to learn to paint in oils, since it bridges the gap between drawing and painting and allows for endless, painless correction of your work.

In the morning, I will demonstrate by working from a live model. After lunch, attendees will paint from the model under my supervision. Adults and teens of all levels of experience are welcome.

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Painting “LaVoyce and Sidney Porter”

April 6th, 2010  4 Comments

Kathryn and I recently flew to Orlando, Florida to finish a commission I started in November. Lavoyce and Sidney are grandmother and granddaughter with a really loving relationship, and it was a pleasure to paint them together.

Porters - Finishing Touches

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