Joseph Q. Daily ~ www.jqdaily.com

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Adventures in Construction 6: Bears on Roofs

August 2nd, 2010  Add comment

'The Dragon and the Bridge'

A little history: Last year, John built an Asian-style pagoda for our neighbor across the street, and together we turned the main rafter beams into dragon heads. It was a wonderful collaboration – which even ended up inspiring a painting – and we’ve been looking for a chance to repeat it ever since. Enter my mom’s house … carving out bear heads for the second-floor overhang has easily been the most enjoyable step in this building process. Here’s how it went:

The template

1. The Template: After spending a long evening Googling countless variations of “bear head”, we gathered enough photo reference that I felt comfortable drawing a bear in profile. I sketched the outline out on a piece of plywood, and John cut it out so that we could trace my drawing onto the beams.

John sawing out the silhouette

2. Sawing and Gluing: To make the beam ends large enough to fit the bear heads (and to give the roofline a flared lip), we needed to make each one out of two pieces of wood. First John carved out the lower jaw with a chainsaw, and then we glued the top piece on before he sawed out the rest of the profile. The eyes and ears were also drilled out shallowly. Here’s a bear after the rough-cut stage:

Glued and cut

Sculpting

3. Routing and Sculpting: Sculpting the bears was another 2-step process. First John and I traced the curves of the bears’ fur with a router, which etched a hard outline into the beams. Then we used angle grinders to round off the bears’ forms, sand the noses smooth, and carve into the eyes. Renée came to visit us in in the middle of this step, and it was great to be able to give her a first-hand tour of our bear factory (and to see how pleased she was with them).

All stained up

4. Staining: We ended up using four different stains to finish off the bears – dark brown for the fur, tan for the snout, ivory for the teeth, and black for the tips of the noses. Staining them was a bit of a shock for me, after having spent so much time with the natural wood color, but we’re all happy with the results.

Almost done...

5. Hoisting them up: Actually putting the bears in place took quite an effort, but it wasn’t nearly as demanding as raising the trusses that they run off of! Each truss demanded three big lifts: up from the ground onto the lower roof, up onto the 2nd floor sill plate, and then raised vertically into place. Thankfully John’s employee Murray was able to work with us on the first couple of trusses, after which they became progressively easier … until the last one, which had to be hoisted in a vertical position from the outset, since there was hardly any sill plate left to rest it on.

Installed

The bears themselves were each sandwiched between two trusses, using liquid nails and a whole lot of timber screws. It’s a little strange posting pictures at this point, since the last set of bears and the roof itself will be such an integral part of the final effect. Tomorrow we’ll finish off the last bears for the end beams, which will be full beams running all the way up to the peak of the roof. Here’s a shot of our raw materials:

Future beams
Until next time….

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Adventures in Construction 5: Time Flies

August 2nd, 2010  2 Comments

Myla walks the plank

Time flies when you’re having fun! Work on my mother’s house has been a blast, and we’ve come a long way since my last construction post (way back when we had just laid plywood for the lower floor). Since then, we’ve:

  • framed and sheathed the first floor walls
  • framed the second floor walls
  • roughed out the main stairs
  • laid plywood for the second floor
  • milled and installed beam ends for the first floor overhang
  • sheathed and covered the lower roof, including two curved cricket areas
  • raised the second floor trusses and installed special beam ends for the second floor overhang (see my next post)

Here are some pics from along the way:

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At Crockham Grange

July 15th, 2010  2 Comments

Painting on location in England. View the painting here ›

At Crockham Grange

At Crockham Grange 2

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August 28 · Bala Cynwyd, PA
Philadelphia Portrait Workshop

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Harold Bates

On Saturday, August 28th I am offering a one-day portrait painting workshop in my mother’s studio in the suburbs of Philadelphia. Participants will learn my process for completing a full-color oil portrait sketch from a live model.

My focus will be on demonstrating how I approach creating paintings that I intend to start and finish on the same day. Although we will be painting a portrait, the techniques and principles offered can be applied to any genre – landscape, still-life, etc.

During this workshop I will be painting all day, explaining every step from start to finish as I work. Attendees are welcome to paint along and receive guidance & critiques, or just watch as I demonstrate. Adults and teens of all levels of experience are welcome. Please see the supplies list below if you would like to paint.

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An Interesting Commission

July 8th, 2010  1 Comment

Crockham Grange

This painting was created over two days during my most recent portrait adventure in England, and it represents my first commission to paint a house. Crockham Grange is the home of Randolph and Catherine Churchill, and I’m happy with how it translated into paint.

Preparations

Although I had already visited Randolph and Catherine several times before, I didn’t know their property well enough to approach this painting with a pre-made composition in my head. So I flew to England with three sets of stretcher bars – 14”, 18”, and 24”, and on my first night in Kent I stretched a 14” x 24” canvas and toned it lightly with raw umber and ultramarine blue.

Day 1

I started this painting in late morning two days later, and I began with an umber block-in to avoid the sorts of drawing errors which can occur when I just dive in with color. 14” x 24” is larger than most of my alla prima work, and this is a fairly dense composition. Plus the morning sun shone from behind the house (throwing the whole front face into shadow), so I felt good about just pushing around brown shapes while I waited for the sun to move:

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Churchills Young and Old

July 8th, 2010  Add comment

I recently got back from a short trip to England to deliver a couple of special commissions to the home of Randolph and Catherine Churchill. All of my work in England has stemmed from a meeting with Minnie S. Churchill several years back, who was on tour promoting a book about Winston Churchill’s adventures in plein air painting, and on this trip I had the pleasure of painting not one but two Winstons! In many ways the trip marked the closing of a cycle for me, and I’m very grateful for the results.

John Winston Churchill

Winston S. Churchill

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“Crockham Grange”

July 8th, 2010  Add comment

Crockham Grange

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“Winston S. Churchill”

July 8th, 2010  Add comment

Winston S. Churchill

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“John Winston Churchill”

July 8th, 2010  Add comment

John Winston Churchill

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July 7th–August 25th · Vestal, NY
Summer Class – Portrait Painting in Oils

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Kathryn in the Studio

This Summer I will be offering an 8-week portrait painting class through The Art School in Vestal, NY. Attendees will learn traditional oil painting techniques while working from a live model.

By alternating demonstration and instruction, I will guide students through every step of my painting process: sepia underpainting – color block in – rendering – finishing touches. By the end of the class, students will have watched me craft a fully-realized portrait painting and also completed one themselves. Advanced students are also welcome to paint along on days when I’m demonstrating. Adults and teens of all levels of experience are welcome.

Although our focus will be on portraiture, the techniques and principles offered can also be applied to any type of oil painting – landscape, still-life, genre scene, etc. During the course of the class, we will discuss:

  • Materials (paints, brushes, palette, etc.)
  • Creating a composition
  • Arranging lighting
  • Uses for photography in painting
  • Strategies for painting outdoors

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